Greubel Forsey 24 Secondes Contemporain White Gold
There are still quite good examples of loading a tourbillon into a watch.
For the first time since I first met Stephen Forsey for more than 10 years, he was a member of Greubel Forsey's two watch industries (Robert Greubel is of course the other half). The first time we talked for a long time - and this was our first conversation - we had dinner in Manhattan. I remember vividly for several reasons. First of all, this is the first time I have had the opportunity to witness the brand's exotic rides. This is not an easy thing to forget.
However, probably the most memorable part of the night is being able to ask Stephen questions about many issues and better understand what inspired him and his partner to create their beautifully crafted, technically challenging multi-axis tourbillon .
Since the establishment of the company in 2004, even before the two founders started working independently in 1999, the whole idea behind most of the research done by GF was to build traditional labor-intensive manufacturing, adjust and organize technologies, and reassess The theory behind it is to make a tourbillon watch. Let's talk about theoretical aspects.
First of all, we must talk about the tourbillon. The tourbillon was invented and patented by Breguet and may be some input from one or more of his contemporaries (although I don't have actual evidence to prove this to be the case, except for any unverifiable conclusions you may have made) Both the first and the second of his tourbillon are watches made specifically for John Arnold and, for that matter, John Arnold's original creation. However, regardless of its source, the tourbillon was created to solve specific problems.
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The problem is that for some of the following reasons, depending on the position of the watch, the watch may run slightly faster or slower. The six locations you normally watch at one time are four vertical (crown, up, down, right, left) and two levels (dial and dial). If the speed does not change, no matter what the position of the watch, in theory you should have a very accurate watch (not considering other factors, such as the impact of age on oil, the impact of the impact of interference, etc.).
The part of the watch that is negatively affected by gravity is the part responsible for maintaining the normal speed: balance wheel, balance spring, lever and escape wheel. Breguet's idea was to install these parts in a rotating cage. This would allow a single average rate at all vertical positions to be put together without having to deal with several different positions. As we mentioned elsewhere, you can adjust the horizontal position to match this single average vertical speed, and you should have a watch that stays the same time regardless of location.
The problem with this system is that it works best in pocket watches, and the benefits of watches are less clear to the watch. In fact, some people even said that Breguet completely booed the wrong tree, and it could not work in a pocket watch - when Professor Jean-Claude Nicolet wrote a letter for trade publication Europastar, he said: "The tourbillon is actually a kind of The extra mechanism, which consumes energy without producing anything, is a parasitic mechanism in addition to the wrong message.” Whatever your view, the fact remains that most of their historical tourbillons are very difficult to manufacture and miniaturized. It is challenging and needs to face great challenges. You can understand why, therefore, most watch wristwatches in the history of watches are very rare.
If you do accept the concept of a tourbillon based on sound theory, then this does not mean that they are meaningful on the watch. Unlike a pocket watch, which is usually placed vertically in a pocket or placed on a table or bedside table, the pocket watch presents a series of positions when worn. Some argue that, in any case, the watch on the watch during the day will move in a tourbillon-like position. So why make a tourbillon watch?
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The idea of Greubel Forsey is this: By tilting the tourbillon, you create a situation where when the watch finds itself in most of its position, the adjustment components inside the cage will never be in the extreme position of the rate change (completely flat , or perfectly vertical). The concept of tilt balance in the tourbillon is not a new concept - WA Porter produced a famous example, completed in about 1860 (he was an American, hey), but his watch has a cage, it Rotate on a plane parallel to the plate and follow the tourbillon's normal configuration. On the other hand, the Tourbillon 24 Secondes Contemporain sets the entire cage perpendicular to the axis of rotation.
So this is the theory behind the design - by the way, an interesting historical record is that the axis of the Tourbillon 24 Secondes Contemporain in the tourbillon carriage is inclined at 25 degrees to the vertical axis, which is the same angle as used by Potter in tilting. The table uses a balance spring and rotates at a fairly fast rotation speed - 24 seconds, again to minimize the amount of time spent at any position. Gravity is the worst.
The theoretical aspects of the Greubel Forsey watches are very appealing, but the theoretical aspects that initially made many people bored with their watches may not be theoretical nuts and bolts, not aesthetics. This is very special for GF; their watch is very easy to identify as a Greubel Forsey watch. The overall design is limited on the one hand by practical machinery (you are not planning to create a tilted shaft, a fast tourbillon with a 72-hour power reserve, a large balance and balance springs, and it is an ultra-thin watch), in part because the general Under the circumstances, the GF watch is not only an experimental high-precision timer, but also an advanced manual table processing museum. Purely as experimental timers, they may seem simpler, but they have a very high wow factor, not only because of their depth of intelligence, but also because of their artistic depth. (Literally, the depth effects of motion design have Great influence with the overall impact of their watches).
Finishing techniques and overall movement design are interesting combinations of traditional Swiss French and English elements. The main board of the Tourbillon 24 Secondes Contemporain is made of titanium. The rooster and the bridge are made of German silver. The typical feature of the GF is not to use the Geneva striped decoration, but to use a typical hand-made British pocket watch with a matte surface.
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The general feeling of solidity and even weight is also characteristic of English pocket watches; as George Daniels wrote in the tabulation, “The best Swiss manufacturers continue to apply jewelry-like surface treatments to their watches.... .. British manufacturers have also strived to reach high standards, but there is no point in trying to attract consumers through displays... British handmade watches are expensive and can only be purchased by gentlemen. They are generally There is no interest in wheels or polishing, and these wheels or polishing are just the expression of trade. No gentleman would want to be recognized. "
In terms of the movement of the watch, Greubel Forsey tends to adhere to a design concept, although the influence of France lies in the use of an activity bridge instead of a full-size or 3/4 disk design used by British manufacturers. For this reason, if you don't know the background, they may look dull or even more serious, but the longer you look, the more you can notice the flawlessness of all the details.
Once you have passed without seeing the initial surprise of the Geneva stripe, you will notice beautiful polished, well, everything; countersunk holes, screw heads and sockets, sharp inner corners of the razor, rounds on the wheel spokes Brushes, bevels, etc. are all subject to the same careful care. The typically more eye-catching boom without the typically more modern high-end watchmaking means that there is nothing left behind; everything has to be done, and yes.
On the dial side, the attention to detail is as absolute and the quality of the process is as high (naturally; this is what you most want to see), but here the depth and design of the 3D design can reach the crank 10. One sign element is a three-legged steel column supporting the hour and minute hands, which provides a much needed visual alignment for large tourbillon cages and balancing (the column is located in many Greubel Forsey timepieces).
The aesthetics on the dial are as extraordinary as the movement but more operatic. The ultra-thin or ultra-thin watchmaking process undoubtedly has its fun, but the relative weight of Tourbillon 24 Secondes Contemporain actually works in a very different way in itself, thanks in part to the sheer luxury of finishing. One of the pleasures of mechanical watchmaking is that there is a mechanism about what you can physically recognize - when people say that quartz is "no soul", I often think that what they really mean is that solid-state electronics looks too abstract from mechanical watches. Feel in the middle.
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Although you can forgive mistakenly think of it as a flying tourbillon, there is actually a sapphire bridge that provides mechanical support for the cart while allowing the lamp to enter the lower part of the dial and providing an additional moving reflective layer. Somehow, the whole thing seemed to be very rich in detail and did not collapse under its own weight. This was a miracle, considering how many things happened. The relative tightening of sports helps to balance the overall experience, but the dialing aspect does not necessarily require its own work; it is balanced and beautiful, and is judged favourably by its merits.
I think the best thing about this watch and about the general situation of Greubel Forsey is that as a technical extension and aesthetics, it is a watch that you enjoy more, the more you understand its content, and the more about it. Table is general. If you like, you can enjoy it purely on the strength of its aesthetics or the degree of craftsmanship that goes into it (although many big brands make us think, this degree of true handwork is rare, because of its hen teeth ) Or as an obsession experiment with technical watchmaking, or how it references watchmaking history, or any combination of the above.
The worst thing a watch owner might encounter is that at some point he or she found that his or her knowledge has improved. They already have - the watch has become a cause for disappointment. Today, you have a lot of risks in collecting vintage and modern watches, but if you are a Greubel Forsey customer, you find that what you buy is smaller than you think, not one of them.
Tourbillon 24 Secondes Contemporain is made of white gold. Movement, GF01c caliber, 24-second tourbillon tilts 25 degrees from vertical. 36.40mm x 10.85mm; 10mm balance, free spring, with inertial timing weight; Phillips balance springs and Geneva-style studs. The weight of the cage, 0.38 g; titanium with Avional (dual aluminum) column; ready for gold weight. Titanium mainboard with German Silver Bridge. Indications: power reserve (72 hours), running seconds. Case: Platinum, 44.50mm x 15.20mm, waterproof 100 feet.
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